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Rooms is a 1974–77 British afternoon soap created by John Finch and produced by Thames Television for ITV. Each story is two parts, concerning the various drifters who rent rooms in a lodging-house at 35 Mafeking Terrace.

Four top dealers, each with their own private room, compete to buy objects brought in by sellers, with an emphasis on the macabre and the bizarre. If the seller turns down one offer, they are not permitted to return to that room.

In darkest corners of the darknet, there are places where victims are held captive, psychologically tortured, live-streamed, then given a chance to escape if they confess their worst sins, preserving them online for eternity in Red Rooms.

Violeta returns to Spain to supervise the works that have to turn the family mansion into a museum. The appearance of a mummified body in a room reveals a secret from the past.

Dutch filmmaker Willy Lindwer and Russian author David Gurevich document the aftermath of the June 1, 2001 suicide bombing of Tel Aviv's Dolphinarium Disco, which killed 21 and wounded 105, many of them teenagers and many recent immigrants from post-Soviet Union states. The bulk of the film consists of the interviews with survivors and the victims' parents, all shot around the Tel Aviv area, including the location outside the Dolphinarium proper. It also makes extensive use of the footage of the night of the disaster and the home videos left behind by the victims.

Tom and Emily are survivors of a viral pandemic that swept the globe, gifted with immunity. They haven't encountered anyone else in a long, long time. Emily is struggling to find a reason to keep going. Tom isn't ready to give up just yet. Together, they set out on a journey into the city of Manchester, England, looking for supplies - and perhaps a hope for the future.

Maddie Usher is the single mother of Jonah, a mute autistic boy who can only communicate through imagery. In an effort to change their quality of life, Maddie purchases an old house in the quiet suburbs. Upon moving into the empty dutch colonial, Jonah's demeanor completely changes. The young boy's behavior becomes violent and his savant-like skills at drawing reveal a preoccupation with the form of a terrifying, bald, naked man. Jonah's doctor insists it is simply the stress of moving into a new house yet this does little to ease Maddie's worries. Soon Maddie realizes the problem lay not within Jonah, but within the house itself.

Cast in a green light, a long corridor seems never-ending in sight. Jun-sang faces multiple rooms in this long corridor, meeting various and bizarre people from door to door.

二十一世纪初的气候预测戏剧性地变成了现实，地球大气层的暖化严重影响着我们子孙后代的生活。年近四十的朱莉亚，决心让家族的葡萄园存活下去。她的祖父卢卡斯出生在法国气候宜人的时代，这片土地曾有过辉煌，这段记忆代代相传，让朱莉亚不愿放弃。伊瑞力同样深爱着祖先的土地，但撒哈拉南部小村庄常年遭受旱灾，似乎没有尽头。这位意志坚定的非洲青少年，不得不和朋友法梧奇离家前往北方。尼斯是一位年轻的德国生物学家，他抓住机会前往加拿大与年轻时的偶像葛瑞丝·勒庄见面。葛瑞丝是自然科学领域的杰出人物，多年来与世人的冷漠无知斗争，却未能挽回物种多样性的消失，她失望至极、离群索居。地球上可能幸存的最后一双北极熊的消息，再次点燃了这位年迈女战士的生命热情。洛蒂是尼斯的妻子，她身怀六甲，这位能干的律师与非政府环保组织一同努力，希望……